How To Draw A Woman's Face Step By Step

How to draw a female confront stride past stride

Welcome to a new Wacom sketch lesson. Today we will learn how to draw a woman's face. This - as we all know - can be a beautiful sight and is as well one of my own favorites. Of form, all faces look slightly different, depending on their origin, age, number of ears, etc., non to mention the style of each creative person. Sometimes even the same face looks completely different in the morning than it does in the evening.

In this step-by-step guide we will learn some basic guidelines that portrait, caricature, comic and anime artists all over the earth take been using for many years when painting realistic faces. Of course, these are not mandatory rules and every creative person can adapt and reinterpret them to their own style. With a task as challenging as the female confront, it tin be tremendously helpful to practice and keep this guide in mind.

In this class we will draw a female face from our imagination and larn some essential tricks and techniques to brand information technology await realistic. Nosotros will showtime past constructing the head shape, then add the features, and finally give the face up some fine-tuning and color. I hope yous find the course inspiring, and that you will be able to use this approach for yourself in the hereafter.

This course is mainly aimed at beginners, merely an experienced artist may discover something new too. I'm also going to talk nearly the workflow on the computer with a graphic tablet and the advantages of digital devices. However, yous tin follow the form with pen and paper as well.

I wish yous a lot of fun while drawing and peachy results.

How to describe a female face Chapter A:
Geometric Shapes

01 Begin with a circle

First, brand a small construction cartoon. With the assist of some basic shapes, the head, eyes, olfactory organ and oral fissure can be positioned with ease.

We start with a circle. Cartoon a circle is not the easiest thing in the world. If you don't succeed right away and your circle looks similar a cubist murphy, try to set your wrist and sketch the circumvolve from the rotation of your forearm. You tin can also - similar me - try to approach the circle shape with several quick strokes. Don't worry if your construction cartoon doesn't look very dainty. You won't see information technology at all in the end.

02 Center axis

Now we sketch a straight line in the center of the circumvolve. I phone call it "middle axis", because left and correct should exist more than or less symmetrical, as it is in faces.

03 Vertical guide lines

Time for some guidelines: Cut the circumvolve with a horizontal line. Nosotros transfer this half circumvolve height down to the extended central axis.

Within the circle, we cut each half in one-half again with 2 modest lines. This mode we have divided the circle into 4 parts and added another one-half circle pinnacle at the bottom.

04 One more circle

Now we need a smaller circumvolve. Don't worry, we have about finished structure. The small circle goes from the third line of partitioning to the very bottom. And then, it is ¾ as big every bit the big circle. Nosotros also mark the middle of the smaller circle.

05 Cheeks

Construction finished. Time to describe the rest. Connect the two circles into a single shape. These joined circles will make upward the skull and lower jaw as there are no bones sticking out, this should be pretty easy.

You can make the connecting lines straight or bend outwards, depending on how well nourished you want the confront to look. The cheeks could as well sink inward if you lot desire a gaunter look.

06 Vertical positioning

How practiced that we take constructed and so bravely. Because at present we know exactly where everything should be located:

• At the meridian quarter line is the hairline.

• The circumvolve-middle line - well, maybe we could accept left that out. But experienced artists know: to brand a quarter, you have to brand a half first

• The adjacent line is for the optics. Yes, they are really that depression. They sit halfway downwards the face.

• The nose ends exactly at the lower edge of our first circumvolve.

• And the mouth sits at the heart of the small circumvolve.

07 Horizontal subdivision

In order not to draw optics and oral fissure too wide or as well narrow, we subdivide the face once again, this time horizontally. Nosotros cutting each side in half, so half once again. This gives us a total of 8 every bit broad parts.

The left eye extends from the second to the quaternary dividing line and the right mirrors it on the other side. The pupils sit in the middle of the eyes at the third subdivision line, exactly in the middle of each half.

The oral cavity is most every bit wide every bit the distance betwixt the pupils. Sketch a pair of eyes, a oral fissure and a small U-shaped line for the nose. This doesn't take to be perfect, but be certain to ascertain the corner points clearly.

08 Caput shape

Now that we know where the optics, oral fissure and nose are located, we tin remove some of the guidelines. Continue the one for the hairline, nosotros'll need it over again at the end. Now that we see the face for the start time, we can rework the head shape a bit. A woman's head shape is softer and less athwart than males. Therefore, the outlines of the head shape should be drawn with softer curves.

We start with a U-shaped curve at the mentum. Try to draw the chin as symmetrically as possible. The narrower the chin, the more feminine the face will look. But if the chin is too narrow, we might accidentally describe an alien.

When satisfied with the chin, start with a new line at the superlative of the forehead. First, follow the circle from our sketch. At centre level our caput shape makes a barely noticeable dip inwards. Once there, elegantly swing effectually the cheek and describe an almost direct line towards the chin, where our lines meet.

09. Mood of our face

Now to decide what state of mind our woman's confront has. This depends primarily on whether the eyebrows and mouth are pointing up or down.I accept decided on a satisfied, skillful-humored confront. The mouth points slightly upwards, the eyebrows are relatively neutral.

ten End of the preliminary drawing

Our preliminary cartoon is finished. I have indicated the areas for the eyebrows and sketched the lips a scrap. But don't worry, we'll go into all the details correct abroad.

How to describe a female face
Chapter B: Details of the face

In the next chapter we will accept care of the details for our face.

11 Preliminary drawing as orientation

Place your preliminary drawing as a divide layer in the background and make information technology a trivial lighter so you can still utilize it as a guide, without information technology existence besides distracting.

12 The upper eyelid

The shape of the upper eyelid varies from person to person. Even small-scale differences have a swell effect on the appearance of a face. Basically, the upper eyelid (especially the female eyelid) describes a curve that rises relatively sharply and so falls off weakly. The easiest mode to achieve this curve is to start from the outside.

13 The lower eyelid and the pupil

The lower eyelid describes a slightly flatter arc than the upper one. It does not start straight at the end betoken of the upper eyelid. The upper eyelid goes a little further outward. In addition, the lower eyelid can curve slightly upwards on both the outside and within. In a laughing person, this outer curvature is particularly pronounced because the laugh muscles push the outer edges of the eyes upward.

Depending on how important this facial feature is to us, we can draw this line several times.

Place the pupil so it lies against the upper eyelid. This creates the consequence of the center looking straight at us.

14 Iris and upper lid crease

The upper lid crease is the most romantic pucker of the face up. Eyelid wrinkles that touch the upper eyelid at sure points create different effects. For example, exaggerated, high eyelid creases create the well-known chamber expect. It is worthwhile to experiment with the upper eyelid crease, as it tin limited completely dissimilar moods.

The standard eyelid pucker, when the eye is at balance, runs almost parallel to the upper eyelid. Since things are rarely exactly parallel in nature, the eyelid crease can movement slightly away from the eyelid towards the middle of the line and approaches the middle of the confront again.

Geometrically, the iris is a circle concentric to the educatee. It is about half as wide every bit the full expanse of the middle. Of class, we do not depict a complete circle, because the iris is covered past the eyelids at the top and lesser. It may exist easier to draw a complete circle for the iris first, and to remove the covered parts subsequently.

xv Eyebrow

For the eyebrow, sketch an area which to fill with hair afterwards. This area is rather pointed towards the outside. Female person eyebrows tend to be a piddling narrower than those of men and tin accept a steeper arch. But be conscientious - this tin can appear severe.

The hair of the eyebrows starts inside at a 45-degree angle and becomes flatter towards the outside. Information technology's all-time to describe the pilus with lots of fast strokes. Start on the inside, and depict each pilus at a slightly offset angle.

In this digital age, hair that protrudes as well much can be hands erased using a pen tablet.

16 One more eye

You can also copy and even mirror things on your tablet. However, there were eyes and faces long before the digital age. And no two optics ever wait exactly the same. And last but not least: Yous have to practice!

17 Iris Texture

The heart and especially the iris are complex structures, made of many fine shapes and colors. We can approach this view graphically past drawing many fast alternating black and white fine lines from the pupil to the border of the iris. We tin also fill up the iris with color after.

18 Reflection

The final touch is given to the eye by light reflection. This can be a elementary white point, several points, a window or fifty-fifty a whole mural. Nosotros achieve a pleasant effect with a simple shape that does not cover too much of the heart. We practise not want to illuminate the whole eye. Less is more.

19 The mouth

The mouth is not a gently running line. The corners of the rima oris, i.e. the outer edges of the line should be divers with a little more pressure level or with small-scale corner creases. A typical feature of the female oral cavity is the small curvature of the oral cavity pucker in the middle.

I fabricated the oral cavity a chip narrower than in the preliminary drawing, because it seemed more coherent to me.

Don't forget to always look at your drawing as a whole and check if everything is in its place. Maybe you want to alter something? What can be improved?

xx Upper lip

Male person and female faces as well differ in the thickness and curvature of the lips. Nosotros offset the upper lip as symmetrically as possible with two slightly ascending, chop-chop drawn strokes

from the corners of the oral fissure towards the centre. In the second step, we permit the ii strokes turn into a V with two steep curves.

21 Lower lip

The lower lip may be slightly thicker than the upper lip, merely this is not a must. The line may go slightly apartment towards the center.

The oral cavity may end upwardly looking a petty like a sticker stuck on the face up. To forbid this, just use a lilliputian drawing trick. Get out a gap between the lower lip line and the corners of the upper lip, let the line gently run out and point towards the corners of the mouth.

22 Nose tip

The nose is known to beetle furthest from the face up. This may be a piffling easier to draw in profile, but in the frontal view information technology presents u.s. with certain difficulties. As we only take 2 dimensions at our disposal, nosotros have to work with something chosen 'perspective shortening'. This can be a challenge especially for beginners, but we can avoid whatsoever bug past applying a uncomplicated formula: Draw the tip of the nose as a minor horizontal line pointing slightly upwards. On both sides of the tip of the nose we continue with slightly outwardly curved strokes.

23 The nostrils

The nostrils start very shut to the outer sides of the olfactory organ tip. They are almost horizontal at the lower cease and point at the upper end in approximately the direction of the opposite inner eye fold.

Now we should check the confront as a whole. Is the nose too big or also pocket-size? Too wide? Too narrow? You tin change the nose until you are satisfied. Most graphics programs can also help you with the transformation tool.

24 Adjust head shape

Now that we accept drawn all the of import parts of the face, information technology is appropriate to suit the head shape 1 final time. In principle, nosotros can transfer the head shape from the preliminary drawing to the final drawing in pretty much the same way. Y'all may notice some spots that demand changing slightly.

25 Two lines

Among many possible shadows and wrinkles that faces could have, I have chosen ii that I similar to apply, particularly on female faces.

One is the chin crease nether the lower lip. It defines the chin and visually widens the oral fissure area.

Another is the cheek shadow (on the left). This is ane of the typical features of a woman's face up. It usually takes a few tries to get the cheek shadow where it should be, so that the face doesn't look too bony or grin.

26 Two boxes

Once again, this stride is about determining a position. The ears stretch from the eyes to the tip of the nose. As we see the face from the front, the ears don't appear round, but nearly flat against the caput. Draw 2 small-scale, slightly V-shaped boxes.

27 The ears

1 of the not bad advantages of the female face is that there is usually a lot of pilus covering the ears, so we may not even accept to draw them. The ear is a rather complicated structure with many angles, wrinkles and shadows and should probably be described in more detail in a separate form.

I have therefore indicated in the picture how to draw a somewhat bathetic ear in iii simple steps. The two boxes help united states to do this.

In the next chapter our face up will get pilus and final touches, including colour.

How to draw a female person face
Chapter C: Hair and concluding touch

28 Hairline

Hopefully you lot oasis't erased the niggling hairline guide. If yous have, don't worry, we can position the hair by observing the rest of the face.

Hair, like ears, is a scientific discipline in itself and basically needs its own tutorial. But I will limit myself to a few lines to describe it.

We showtime with a rough sketch of the vertex and outer edges of the hairstyle. It's best to draw this on a separate layer, so that we can easily hide the preliminary drawing of the hair later. The line for the parting runs from the hairline auxiliary line - here a little to the right of the center - in an upward sweep that is as elegant as possible. From the vertex, the pilus falls towards the ears on both sides. Depending on how loose the hairstyle should look, several lines running next tin besides limit the hairstyle.

29 The cervix

Beneath the ears the hair reappears and falls down freely in several brisk strokes. On this occasion we can as well indicate the cervix.

While cartoon the hairlines you will discover certain curves, curls or areas that you'd like to add together to. Don't become into as well much particular yet.

30 Falling direction of the hair

This pace is not about cartoon boring cautious lines, but about drawing the hair in a sweeping and brisk mode. Of course, nosotros don't describe every unmarried hair, only rather study the autumn directions of the hair at the unlike places. Later we tin can define them with a few clear strokes. Hair grows in tufts, and within these tufts it all grows and falls in like directions (not criss-cross). I've created several tufts of hair and hairstyle areas in the epitome quite arbitrarily. There are no limits to your imagination. Hair is e'er the fun part.

31 Final artwork of the hair

Once your manus gets used to the fast movements, lines, and curves of the hair strokes, it is much easier to define a clear, sweeping hairstyle. For the terminal drawing of the pilus, it is recommended to use a split layer again. Here we can orientate ourselves on the pre drawn hairstyle and afterward, as already mentioned, simply hide information technology. If necessary, we tin also erase hair that is too long and protrudes into the face without erasing the face itself. It'southward worth experimenting with unlike line widths and degrees of coverage when cartoon the hairstyle. In our moving-picture show I have emphasized the individual strands with a darker line, while inside the strands the indicated subdivision lines are much lighter and less prominent. The near important thing when cartoon pilus is nevertheless the line speed. And fortunately, in digital cartoon, any imperfect stroke tin exist undone until information technology fits.

32 Optional detail work

Of grade, the possibilities for item work are almost unlimited. Here are a few examples that tin be fun:

• Adding another indicate of low-cal in the eye.

• Texture the lips with the same technique as the iris.

• Calculation a subtle shadow at the lesser of the nostrils.

33 Bonus: A flake of color at the end.

I hope you had fun and plant some helpful tips for your future drawings. Of course, you tin can't cover all aspects of a artistic topic in a single tutorial.

We will become into more than details and variations in futurity courses, such equally: How to draw a face from different perspectives, Faces of different ages, Hair - nose - ears in detail, Coloring of faces, Other parts of the torso, Hands - anxiety - body, and The male face up, etc.

This tutorial is designed to provide a solid foundation on which any aspiring artist can build. As in any art form, the results depend on regular practice. Don't be frustrated if you lot don't like your commencement drawings. Yous will become better with every painting. Stay tuned, go inspired and have fun with it.

Create expressive faces. Become started with Wacom One.

Wacom One is ideal for bringing facial features to life. The natural surface friction and minimal reflection creates a pen-on-paper feeling on the 13.iii" screen. The pen feels lite and natural in your hand and transforms into a pencil, paintbrush or chalk in your selected software. It tin even be used every bit an eraser. Perfect for refining the details to create lifelike faces. Artistic software comes included, along with the ability to connect to your Mac or PC, also every bit certain Android devices.

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